Author: Crombieboy

Tremende times: the gritty ska grooves of Bologna

Creases Like Knives presents itself as a webzine dedicated to “reggae, punk, Oi, hardcore, soul, clobber, style” and “strong views” (that’s our description on X). But since the founder mainly listens to Oi, punk and glam/bovver rock, the articles tend to revolve around those genres. I figured it was about time to make space for other things as well. And what better way to start than with Tremende, one of Italy’s longest-standing ska bands, active since 1989, based in Bologna, and almost entirely female? Matt and I met up with their vocalist Antonella, who was more than happy to chat, at Serena 80, a club with a football ground and rehearsal space. Later on, the rest of the band joined us, and we got to watch some of their rehearsal.

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Trash the ZASH, or: When a Flag Is Victimised

Zionist Antifascist Skinheads (‘ZASH) has got to be the funniest trend since Russia’s Gay Aryan Skinheads (GASH). The contradictions are just as glaring: they call themselves anti-fascists but pledge undying loyalty to a country running the biggest ethnic cleansing campaign in recent memory. ZASH hail from Germany – where else? So far as we can tell, we may well be dealing with a two-man movement:

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Brooklyn Skinhead: an interview with Lou Morales

I met Lou Morales in 1988 while hanging out at the CBGB’s matinees. At the time, I didn’t realise he was only 14, as he was always mature for his age and seemed more level-headed than the rest of the crew he hung out with: the notorious Sunset Skins, a predominantly Puerto Rican group of skinheads from Sunset Park in Brooklyn.

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Take A Razor To Your Head: The Crazed

Here at Creases, we’re not afraid to dip a toe into other subcultures if the influences (and MA1s) fit. Last year one-time teenage Psychobilly Paul Wainwright published a book version of his at-the-time zine The Crazed, which carried interviews with the likes of The Meteors, Demented Are Go and Skitzo. The book itself, The Resurrection of The Crazed (Earth Island Books), is an altogether deeper dive into the subculture once referred to (by a compilation of the era) as The James Deans of the Dole Queue. Andrew Stevens dug out his dictaphone and recorded this with the author over a snakebite or several to hear more about stomping at the Klub Foot.

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Nabat, Force Majeure, Asedio and others: Record Reviews

Been a while since you heard from us, hasn’t it? Last December, we celebrated what had been an exceptionally productive year for Creases Like Knives. Then, as if to undermine any hopes we’d become a ‘proper’, ‘professional’, or regular publication, we only gave you one article in the whole first four months of 2024. The truth is precisely this: we aren’t professionals, nobody’s paying us, and we just happened to have lots on our plate lately. One thing’s for sure: Creases Like Knives isn’t ceasing operations – I think in some form we’ll always be around. But our levels of activity will vary, depending on what else life throws at us. In this sense, apologies to the good folks from Common People, Primator Crew, Une Vie Pour Rien, Hellnation and Ballroom Blitz Records who sent us most of the albums reviewed here – we made some of them wait for ages. All reviews by me this time.
Matt Crombieboy

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Classic Albums: ‘This Is England’ by Red London (1984)

Having already done Red Alert’s We’ve Got Power with the late Steve Smith in this series, it seemed entirely natural and would be remiss not to extend the same treatment to Red London’s This Is England. Thankfully bassist (and occasional Angelic Upstart) Gaz Stoker and mainstay frontman Patty Smith were quite game and dusted off 40 years of memories since the release of their still urgent debut. Matt and Andrew Stevens heard all about regicide on Wearside, life inside Durham Prison, urban riots, the Falklands, nightclub brawls and the bomb, so just the usual for an Oi album from 1984 then.

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In memory of Taï-Luc, by Jean-Eric Perrin

La Souris Déglinguée held a special place in the hearts of the first skinhead generation of Paris, particularly those notorious kids from the Les Halles neighbourhood. They weren’t an Oi band, nor really a punk band either – but they were cut from the same cloth as their audience. La Souris Déglinguée were also a significant force in French rock ‘n’ roll in general. The passing of their vocalist, Taï-Luc, last Friday, with the news only surfacing yesterday, has left a profound void. In tribute to his memory, we present an obituary by Jean-Eric Perrin, a co-author of the band’s 2016 biography, Week-ends sauvages – La Souris déglinguée, 1981-1990.

One of a kind. A true street icon. A genuine rock ‘n’ roll hero. A role model. A poet of the mavericks. A philosopher of outcasts. Taï-Luc, who tragically left us on 1 December 2023, was worthy of such praise, but he was too modest to accept it. The truth is he should be rightfully bestowed the honour as leader of La Souris Déglinguée (“the fucked-up mouse”, aka LSD), the band he led for so many decades.

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Missing Words: Daniel Rachel and the 2 Tone Story

Author of a history on Rock Against Racism and all that came after, followed up by the co-written autobiography with The Beat’s Ranking Roger, Daniel Rachel has made a name for himself as a devoted chronicler and authority on the 2 Tone era. His latest, Too Much Too Young: The 2 Tone Records Story is out now. It may well be the same old show, but Andrew Stevens just had to tune in to hear more about punks, teds, National Front, natty dreads, mods, rockers, hippies and… skin-heads!

When we last spoke you’d just covered the tricky gamut of music and politics from Rock Against Racism through 2 Tone to Red Wedge. Is this a book you’d always wanted to write before then and the Beat book or a natural progression from them? I can only think of George Marshall’s and Garry Bushell’s collected writings from the time which came out not long back.

There has never been a comprehensive book on the 2 Tone label beyond George Marshall’s one in the early 90s. That was great, but thin. So yes, I’ve always wanted to write the 2 Tone Records Story, but the timing was as much to do with getting Jerry Dammers on side.

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Skinheads in Peru

The history of a distinct shaved head and boots & braces wearing subculture in Peru doesn’t start until the early 1990s, even though there were isolated sightings during the legendary 80s ‘subterranean rock’ scene in Lima. Economic conditions, isolation and misconceived public notions nurtured a true working-class based skinhead movement, small in numbers, but big in committed ideals. Taking a cue from legit sources, they sought to preserve the original ethos of this movement without ignoring the reality of day-to-day life in Peru. A class-based caste system has been the norm for centuries in this country, and the recent pandemic has exacerbated these differences to a boiling point. The skins in Peru realise that it’s not just fashion and music that fuels them but also protest, whether political dissent or direct action on the streets, that makes this movement a vital subculture dedicated to radical change.

I spoke to Mendo (visual artist and original member of the first skinhead collective in Lima) and Abraham (singer of Ultima Amenaza) about the history and current state of the scene. For more info follow their Cronicas Skinhead Peru page on Facebook.

Freddy Alva

Autocritica Oi! in action

This article appears in the newly released Oi! The Black Book Volume 2: https://urbanstylesnyc.bigcartel.com/product/oi-the-black-book-vol-2

When is the beginning of the skinhead movement in Perú and who are the first skinheads seen in Lima?

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Stompin’ in Bologna: Rude’s Ghetto 84 Chronicles

The Italian town of Bologna has a population of less than 400,000, but the density of local Oi and punk combos has always been incredibly high. Nabat (arguably continental Europe’s most influential Oi band) hails from the San Donato quarter, while the nearby Bolognina neighbourhood is the historical breeding ground for groups such as Ghetto 84 and Zona Popolare. Ghetto 84 were fronted by Rude, a second-generation Bologna skinhead. He was part of the wave that ruled the latter half of the 80s and established a strong connection between skins and Bologna FC 1909 ultras.

During their initial period, Ghetto 84 recorded the 7-Song tape La Rumba!, released on Nabat’s C.A.S. Records in 1987, and a couple of tracks for the excellent 1991 compilation Oi! Siamo ancora qui!, which was curated by Klasse Kriminale’s Marco Balestrino. An album, A denti stretti, followed in 1996. After that, Ghetto 84 fans had to exercise patience – it took over 20 years for the comeback album, Ultras Rock ‘n’ Roll, to be released.

One joyous afternoon in May 2023, we met with Rude at Hellnation Records in the Bolognina quarter of Bologna. The shop is located on the very street where Rude grew up in the 70s and 80s (and right next to Black Panda Tattoo, where Bologna skins get inked). Today, Rude lives in Dresden, Germany, and he was in town for a visit. We took the opportunity to sit him down in a nearby bar and find out about skins, ultras, punks and mods in 80s Bologna, Rude’s old band Ghetto 84, his subsequent career as a musician and DJ, and his present stint with Zona Popolare.

Interview: Matt Crombieboy
Photos of Rude at Hellnation shop: Francesca Chiari

CLICK PICTURE FOR STOMPING IN BOLOGNA PART 1

CLICK PICTURE FOR STOMPING IN BOLOGNA PART 2

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