Skinheads in Peru

Autocritica Oi! in action

When is the beginning of the skinhead movement in Perú and who are the first skinheads seen in Lima?

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Krylons and Doc Martens: the world of skinhead graffiti writers

The idea of card-carrying members from the skinhead tribe being part and parcel of street graffiti culture can seem an urban myth to some or a far-fetched, unlikely crossover of subcultures at best. Having grown up in the NYHC scene, I saw this synthesis first-hand and have followed the trajectory of others in the US and the world at large that inhabit both scenes, seamlessly bending disparate influences into a cohesive whole. Graffiti’s ethos and the skinhead way of life can seem to be an unlikely pairing at first glance, but the shared mindset of following a particular set of values and methodology, while maintaining a distinct visual aesthetic indifferent to mainstream trends, can lead to cross-pollination in an under-the-radar fashion.

I have chosen to profile seven skinhead writers that fit this particular phenomenon. Some play in bands, some don’t. Others share the embryonic hip-hop scene as a reference point and some do not; what they all do have in common is finding a kinship in what are often maligned and misunderstood subcultures, making a strong case for inhabiting both worlds, all the while staying true to each group’s individual essence. I talked to the following: Core 2, Tatu Paul, Hand Selecta, Oaks FCS, all from the US, Meatdog and Swarm from Australia and The Firm from Brazil.

Freddy Alva

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