Couldn’t give a fuck, where’s me beer? An Interview with Steve Smith of Red Alert

redalertThe punk rock firmament glowed brighter on Wearside than most other English conurbations during the 1980s, with Red Alert, Red London and the Toy Dolls all sharing beers, band members and basslines on Oi compilations during its heyday. Sharpened by the experience of growing up amid the closure (or “managed decline”) of its shipyards during the Thatcher era, Red Alert saw themselves as Sunderland’s answer to the deserted Docklands’ Cockney Rejects and released a steady stream of EPs on No Future Records, calling it quits after their standout 1983 album We’ve Got The Power. By 1989 the band had reunited, though line-up changes inevitably followed over the years (bringing in the likes of Lainey from Sunderland punks Leatherface), as did a split LP with The Templars following a New York tour.
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Freedom or a nice image? Codi de Silenci interviewed

cds_logoAttentive readers would undoubtedly notice my appreciation for the vitality of the current Catalan skinhead scene. Even those who visit casually would not mistake it for a mere historical re-enactment society. While the scene embraces styles ranging from the 60s, 70s, and 80s to contemporary variations, it seamlessly melds tradition with a resolute sense of purpose and relevance in the present moment. Catalan nationalism has become a major international news item since last year, and although some Catalan skins I spoke to are more critical of it than others, it’s fair to say that, for the most part, they are among its most fervent supporters.

Much like Reconquesta, Rebelion, and earlier groups such as Pilseners, Codi de Silenci is an Oi band that proudly wears its Catalan patriotism as a badge of honour. This sentiment isn’t confined to their lyrics alone; it informs the overall tone and atmosphere of their music. Codi de Silenci aren’t a band that repetitively churn out songs about boots, booze and brawls, nor do they bore you are interview partners. While bassist and primary lyricist Lluís Lacruz stresses that Codi de Silenci identifies primarily as an Oi band rather than a political one, he’ll give you candid opinions that you’re free to embrace or challenge. Continue reading

To slave or scratch your arse? Menace’s first vinyl outing

On this day 41 years ago, Menace released their debut single, ‘Screwed Up’ b/w ‘Insane Society’.

Menace formed at North London’s Hope & Anchor in 1976, emerging from the ashes of a pub rock band with the Spinal Tapesque name Stonehenge. They were a bunch of Irish kids who’d grown up in the seedy area around Kings Cross decades before it became gentrified. Like Sham, Sparrer and to some extent Chelsea, they were one of those transitional punk bands whose grittier ‘street’ stance pointed towards Oi. Continue reading

Skinheads in the Hong Kong Garden

On this day 40 years ago, Siouxsie and the Banshees released their debut single, ‘Hong Kong Garden’. In a 2005 interview with Uncut magazine, Siouxsie had this to say about the song::

hong kong“I’ll never forget, there was a Chinese restaurant in Chislehurst called the ‘Hong Kong Garden’. Me and my friend were really upset that we used to go there and like, occasionally when the skinheads would turn up it would really turn really ugly. These gits would just go in en masse and just terrorise these Chinese people who were working there. We’d try and say ‘Leave them alone’, you know. It was a kind of tribute”. Continue reading

This ugly old world: a chat with IENA

Remember hearing Rixe for the first time? It felt like a lightning bolt instantly pulverising a world of facile pop-punk ‘Oi’ bands – within seconds, any notion that they had a ‘right’ to exist was put to rest.

The debut EP by IENA hit us in a very similar vein. Although not actually a skinhead band, IENA certainly sound like one. That’s partly down to Marco’s vocal delivery, which one may describe as more domineering than punk singing – more “one step closer and you’re dead” than “fuck you, I won’t do my homework”. Continue reading

Crophead Record Roundup #5

Reconquesta & Codi de Silenci: La força de la raó Split EP (Disco Nightmare)

Codi de Silenci and Reconquesta hail from the Lleida and Barcelona regions of Catalonia respectively. Both are skinhead bands of a Catalan separatist persuasion, and just as Catalan separatism has reached boiling point, these bands are on top of their game with their new split-EP, La força de la raó. Continue reading

Paris Violence in our minds: an interview with Flav

It wasn’t so long ago – five years perhaps – that I stumbled upon the name Paris Violence in a blog about the classic French Oi band Komintern Sect: “Paris Violence should be right up your alley”, was a commenter’s advice to frog-Oi loving Anglo-Saxons.

But then, the sounds I found on YouTube weren’t quite what I had expected. Although the Fred Perry-clad lead singer’s vocal style clearly placed the band in the skinhead camp and the melancholic overtones evoked Chaos en France-era memories, there was something else going on too. Continue reading

Crophead record roundup #4

Klasse Kriminale: Construito in Italia 7’ EP (Skinhead Sounds)

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Skinhead Sounds is run by Italian skinhead historian Flavio (who we interviewed here) and has just reissued two classic 7-inches. Constriuto in Italia is the 30th-anniversary release of the debut EP by Klasse Kriminale, who in the latter half of the 80s were one of very few Italian Oi bands left. Continue reading

Drinking with the swamp krauts: The Young Ones

Despite their band name, the Young Ones are actually in their thirties like all of us. Unlike most of us, they are a band from the Oi capital of Maastricht, which is run by them and their elder peers in Close Combat (who we interviewed before). They have finally started doing some new music after being out the game for some eight years. Their sound is like sped-up Cockney Rejects with a smattering of Hard Skinesque humour. Girth spoke to their bassist Merijn, whose interest in conspiracy theorist David Icke is second only to ours. Continue reading

Crophead record roundup #3

Bored of playing Ed Sheeran’s new album over and over? Run out of Grateful Dead and Frank Zappa bootlegs to explore? Grown sick of your homemade ‘Beyoncé Ballads’ compilation? Abdul Bleach Boy takes you on a journey through recent crophead releases, not suggesting but telling you what to listen to. Continue reading